As surprising and completely offensive this ad was to me, not only is it real, but it's also current, and aimed towards women, in some sort of ironic, throwback "let's market to women through essentialist stereotypes" kind of way. While the text is extremely off-putting, the pin-up, Edward D'Ancona aesthetic is something I find really beautiful when done tastefully, so it is eye-catching, before being so overtly crude as to completely dispel my interest. The woman appears happy, but judging from the accompanying text, her happiness seems to be predicated on the common lie that women must objectify themselves in order to gain approval from society, or fulfillment on a personal level. The ad is selling vodka, in an age where the martini is extremely en vogue for the single lady (think Sex and the City), while assuming that throwing back to Helen Gurley Brown-esque attitudes about female sexuality is a relevant way of catching the attention of the young social climber. Note also that the young social climber represented is thin and white, as is the case with all media catering to this genre of persons. Apparently, only white women drink martinis. "Van Gogh" implies a level of cultural appreciation and glamour that people tend to look for in their beverages of choice, yet the implicit message of the text in the ad is decidedly more lowbrow, catching attention with cheap humor and a calculatedly loose lifestyle. I must, of course, clarify that I am in no way puritanical about women owning their sexuality in whatever manner they see fit, but I do experience considerable internal opposition to the empty-headedness that this caption encourages. It makes me wonder why these female stereotypes are being reinforced by the focus groups as being accurate, and why despite its blatant manner of pontificating on the same worn out stereotypes, the ad campaign is still being hailed as "edgy," not only by the advertising company, but also by the New York Times. Of course, women becoming complicit sexual objects is nothing new, as they are now more risk averse because of contraception and can actively pursue their autonomous sexuality (Kirk and Okazawa-Rey 151), and perhaps it's not even my place to say that this is an inappropriate manner of expressing that sexuality, but in reducing young, white, female professionals seeking an after work outlet to their most unflattering common denominator (a parodic sorority girl, essentially), this ad implies that women only value themselves when they play into their own "objectification, commodification... and dismemberment" (Kirk and Okazawa-Rey 208), a set of legs and a mind that will never consider the implications long enough to see that they're not really "in" on the joke. Wouldn't want to risk getting our panties in a bunch, right?
Works Cited
Kirk, Gwyn, and Okazawa-Rey, Margo. Women’s Lives: Multicultural Perspectives. 5th ed. New York: McGraw-Hill, 2010.
Elliott, Stuart. "Vodka Brand Goes Edgy as It Reaches Out to Women." The New York Times - Breaking News, World News & Multimedia. The New York Times, 9 Aug. 2010. Web. 29 Sept. 2010. <http://www.nytimes.com/2010/08/09/business/media/09adnewsletter1.html_r=1&pagewanted=2>.
Oh, and p.s. as an added bonus, here's my favorite ad from this campaign: